I don’t remember having jetlag in Bangalore, let alone
culture shock. I felt at home there straight away, even if I was puzzled by
what I saw and even when I saw wretched things….
I realized that Indian English wasn’t something quaint but a
language in its own right, like American English….. Indian English is full of
felicities and poignant poetry.
As I became familiar with this sort of conversation, I
realized that many Indian men enjoyed dreaming up business schemes – and liked
to think of themselves as entrepreneurs – but the brilliant notions generally
went no further than the initial fantasy due to lack of capital.
Suchie told me her impressions of England. ‘It was small and
very pretty. I didn’t like the food. Oh, Cadbury’s I liked but that was all.’
That was the first time in India that I felt homesick. But
it wasn’t true homesickness, more of a general self-doubt. I wondered if I
really liked the country and, if so, enough to stay until October? Could I cope
with the people? They were pleasant enough and king to me and much polite and
more considerate of each other than people at home …but who could I talk to
and, more to the point, laugh with? The Indian sense of humour seemed
completely incompatible. I wondered if I’d ever get used to the squalor, the
beggars, the flyblown pi-dogs and the ghastly faecal smell of the streets. And
then I considered the myriad inconveniences and inefficiencies of everyday
life, the difficulty of making a telephone call or buying a railway ticket, for
instance, or the days without running water, and this line of thought made me
feel disappointed in myself. Such gloomy considerations led to a general
malaise and I found myself unable to go back to sleep.
‘Which is better,’ asked Atul, ‘in your opinion, Wendy’s or
Burger King?’ Dr Lal thought for a moment then gave a cryptic answer: ‘I
believe America is whatever you are looking for. It is there to be found.’ Atul
nodded, like the follower of a guru, absorbing some great wisdom.
The travel agents were three identical brothers who looked
like pigeons. They always hedged their bets by saying it would be nearly
impossible to find a place on such a train or bus (usually because it was a religious
holiday) but they would see what they could do. That way, if they got you a
ticket you were grateful and if they didn’t, they had a good reason. Generally
they managed to get me the tickets I wanted.
Indian public lavatories are nearly always vile, even those
in decent restaurants (whereas domestic bathrooms are immaculate) and it took
me a while to work out why they let them get so bad. It is to do with the caste
system and ‘pollution’ laws; public lavatories are cleaned by bhangis, the
lowest of untouchables and very little concern is shown for them and their
repellent livelihood. Something nearer contempt prevails. The attitude seems to
be: what difference does it make to a bhangi whether you shit down the hole or
on the floor?
….Hampi……The region is rich with legend and history and the
weird combination of the two that is an Indian commonplace….. Partly its due to
a very diverse set of chronologies; calendars varied from kingdom to kingdom
and events were difficult to date precisely; this vagueness allowed a good deal
of fanciful historic interpretation and the interpreters of history were
invariably priests with an outlook attuned to the divine and miraculous…
….I’d often heard similarities between traditional Celtic
music (as performed by the Chieftains or Alain Stivell) and Indian music
Dogs, horses, cows, even cats, have eyes that we can
recognize emotion in, emotions that we imagine correspond with our own; not so
with goats, they are inscrutable creatures. Is that the reason for the old demonic
connection, that alien gaze?
At Mandya we stopped for breakfast at a canteen run by the
tourist board: two big, bright, light-blue halls and stern notices in English
and Kannada: Let Not Your Conversation Be
A Nuisance To Others and No Political
Activities Will be Tolerated.
A notice was stuck on a pillar….concerned a missing
seven-year-old boy. The most poignant detail was that his complexion was
described as ‘Bournvita’. That struck me as particularly heartbreaking, so
obviously a loving mothers notion. I was reflecting on the poor mothers agony
when a tall beggarwoman approached me with a printed card. It was a catalogue
of misfortunes, all misspelt. The first couple of lines said that she was an
epileptic, that she had fallen down a well and had been struck dumb with shock,
that her parents were too poor to support her ….I got the drift and, still
saddened by the ‘Bournvita’ child, gave her ten rupees – a generous amount when
fifty paise is the normal donation, though ten rupees is less than fifty pence.
She must have spread the word among other beggars because soon I was being
approached from all sides by ragged figures. The pleasant anonymity that I’d
been enjoying evaporated.
….I recognized the smell of Madras, burning rubber and
low-octane fuel, that I’d mistaken for the chimerical ‘Smell of India’. Since
then I’d come to the conclusion that there were distinctive smells that one
associated with particular cities or areas of cities and that a generalized
Indian smell would be as hard to isolate as a generalized English one; though
it seems to have become a literary convention that the whole subcontinent has a
uniform pungency.
….unsophisticated Americans whom I discovered, by
eavesdropping, to be missionaries, evangelists with bovine expressions …When I
heard of their conversation, with its inherent assumptions of racial, cultural
and moral superiority, I found intensely irritating. They sounded far less
educated and open-minded than the average Brahmin priest whose teachings they
had come to refute.
I was always impressed by this spontaneous Indian capacity
for friendship. It made me ashamed that so often, out of shyness, I was
standoffish….
…..it seemed to me that Hinduism was flexible and
multifaceted enough to adapt infinitely without compromising any of its
essential truths, and far less oppressive than either Islam or Christianity
could be in many other nations.
There were lots of people washing, cleaning their teeth,
scraping their tongues with U-shaped wires attached to their toothbrushes. The
colour and texture of one’s tongue is a matter of daily concern to the
health-conscious Indian.
I found Indian ‘classical’ music perfect for long train
journeys; time passed so slowly that one entered a sort of trance and then the
music unfurled like a sequence of short vivid dreams. There was a similarity to
the serious jazz of John Coltrane, the same transcendent quality and the
feeling of going over and over a melody as if trying to break free some divine
message encoded in the notes. Also, as in jazz generally, the instruments
seemed to speak or sing as extensions of the human voice. It was as if the
landscapes that I could see through the bars of the windows (the glistening
paddies, green plains, nullahs stirring back to life with the rains) were being
described by the music. That’s exactly right, I kept thinking.
Late in the evening we came to Itarsi. It was drizzling.
Cows ambled along the platform….
….two snake-charmers….The melody that they played sounded
vaguely Scottish to me…..
Outside, on a wooden pole, were three loudspeakers, the
old-fashioned kind that one associates with holiday camps. Intermittently,
highly distorted film music would blast out. It was unbelievably loud, an awful
screeching, all treble and no bass. I asked the green-eyed proprietor how he
could stand it and he told me that it was an idea devised by the Chamber of
Commerce (of which he was a member) to encourage shoppers. ‘You see, all these
songs are very high in the hit parade.’
…..Benaras. I’d read about it but reading hadn’t prepared me
for the crowds, the clamouring, the lunatic intensity of it all. Whatever I
thought that I understood of Hinduism flew from me. All the colour and noise
that I loved about India were concentrated here into an experience that was
weird and alarming. No frame of reference to cling to, nothing familiar, I was
out of my depth in a great flood of people. ….Benaras is, more than anywhere
else in India, a city of conmen. All Westerners, probably all visiting Indians,
are fair game. Cheats and swindlers abounded in the great places of Christian
pilgrimage after all. ….Benaras from the river was stunning. A three-mile long
cliff of massive and dilapidated masonry. Platforms, temples, staircases and
passageways, vast decaying palaces rising in layers from the filthy water. It
was like a monstrous Venice, a vision to thrill Piranesi, the fever-dream of a
Gothic novelist, the opium hallucination of a doomed French Symbolist. The sun,
through the damp mist, was a great yellow beam, Ravi leered at me. ‘Master,
single man? You’d like to meet Benaras girl, true virgin?’ I ignored him.
‘Master prefer strong Indian boy, maybe?’
….I listened to mournful sarangi music all the way to
Mysore, like rainclouds being sawn in half. At Maddur I bought some idlis from
a vendor. Just as I was biting into the first one, I looked out of the train
window and on the platform there was a pi-dog with a length of tapeworm hanging
from its anus; I was so put off that I threw the idlis to the poor creature,
who devoured them with one gulp. An old blind man came down the aisle playing a
penny whistle. He was led by a girl who held out a cloth sack for coins. It
seemed a Dickensian arrangement.
In front of Mysore Station I stood in line for a rickshaw. A
man …..came out of the station and waved to me. He walked over, it seemed that
he knew me. But I couldn’t place him. ‘My good friend, hello! How fine it is to
see you!’…. ‘At the precise moment I leave the station my eyes land on you! I
think, truly, this is auspicious.’ Where had we met before? ‘Ah, a
philosophical question. But who can describe the previous life cycle? Perhaps
we were brothers? But is not the world one family? Are we also not brothers in
this life?’ So he didn’t know me at all? I waited for it. ‘Like you I have just
arrived in Mysore. My home is Channapatna. A terrible fire has destroyed my
dwelling place…’
….watching Hindi movies generally, made me feel an absolute
outsider. The films went against all my Western notions of taste ….these…films
seemed vulgar and idiotic…most of the heroes were too stout to dance
convincingly. The heroines spent a lot of time fleeing from these portly
figures who seemed anxious to kiss them….a heroine would confront her pursuer
and then their two faces would fill the screen, their lips drawing closer and
closer – at the last possible moment, she would turn away and resume her avian
trilling. Then the frustrated hero, presumably for relief, would jerk his
pelvis, dog-like, against a tree trunk, or lie stomach-down on the grass with
his great bottom bobbing up and down suggestively.
I passed a noisy temple; there were shouted prayers and
somebody was banging a drum and it struck me that all that wacky exuberance was
closer to the heart of Hinduism than the lofty platitudes of spiritual
philosophers.
‘Rain will be coming in one week or two weeks or three
weeks,’ said the waiter, hedging his bets meteorologically.
Madurai had more holy cows than any city I’d been to….An
elephant came swaying out of an alley, led by its keeper, heading for the
temple. None of the merchants or shoppers paid it any more attention than they
would have paid a delivery van.
I decided to swim but, remembering the floating turds around
the bathing ghat, thought it wise to walk in the other direction and find a
clean stretch of water.
Kathakali is the famous dance-drama of Kerala. Stories from
the Ramayana and the Mahabharata are acted out by extraordinary dancers in the
most spectacular costumes…..I suppose it was all a bit like the spectacles at
Versailles and the courtly masques of the sixteenth and seventeenth centuries.
A proper Kathakali performance lasts all night …..The movements of the face have
become central to the drama. The nine rasa ,dramatic emotions (tranquility,
fear, loathing, desire, wonder, courage, pathos, anger and ridicule) are
expressed with the weirdest distortions of the facial muscles and, if the
lecturer hadn’t announced each one, I’d never have guessed them. They all
seemed to express the same thing to me – that the dancer was about to sneeze
By and large, a drunken Indian is nothing to worry about;
alcohol brings out a floppy silliness, that’s all – one rarely comes across the
confused and pent-up fury that can make a northern-European drunk so
threatening.
Somebody, right outside my door, was clearing his throat in
the loudest possible manner. It took him a good five minutes to do. Its more
like clearing the lungs than just the throat. I’d watched men performing this
elimination, the whole neck and chest racked with convulsive spasms…..This
obsession with mucus is hard to understand. In certain areas the dust might
have something to do with it. There are also breathing exercises that figures
in yoga and breathing itself has religious significance (Prana). Perhaps the
elimination of mucus is to ease breathing. But women have to breathe as well as
men and I’d never encountered a female ‘hawker’…..mucus does hold a real horror
for most Indians. To carry a used handkerchief in one’s pocket is about as
unthinkable as carry used lavatory paper about.
Spoken Malayalam, which is sometimes compared to the noise
of peas rattling in a tin cup, does sound extraordinary, unlike any other
Indian language. It has a lot of ‘clanging’ sounds ….
The Black Jews, including the Bene Israel community up the
coast in Bombay, probably number a couple of thousand still. I was told that
quite a few had gone to Israel but had been treated badly and had since
returned.