Human nature will not flourish, any more than a potato, if it be planted and replanted, for too long a series of generations, in the same worn-out soil. My children have had other birthplaces, and, so far as their fortunes may be within my control, shall strike their roots into unaccustomed earth
- Nathaniel Hawthorne, “The Custom-House”
………….from the conclusion he sometimes feared was true: that the entire enterprise of having a family, of putting children on this earth, as gratifying as it sometimes felt, was flawed from the start. But these were an old man’s speculations, an old man who was himself behaving like a child
He owned an expensive camera that required thought before you pressed the shutter, and I quickly became his favorite subject, round-faced, missing teeth, my thick bangs in need of a trim. They are still the pictures of myself I like best, for they convey that confidence of youth I no longer possess, especially in front of a camera.
It is clear to me now that my mother was in love with him. He wooed her as no other man had, with the innocent affection of a brother-in-law. In my mind, he was just a family member, a cross between an uncle and a much older brother, for in certain respects my parents sheltered and cared for him in much the same way they cared for me. He was respectful of my father, always seeking his advice about making a life in the West, about setting up a bank account and getting a job, and deferring to his opinions about Kissinger and Watergate. Occasionally, my mother would tease him about women, asking about female Indian students at MIT or showing him pictures of her younger cousins in India. “What do you think of her?” she would ask. “Isn’t she pretty?” She knew that she could never have Pranab Kaku for herself, and I suppose it was her attempt to keep him in the family. But, most important, in the beginning he was totally dependent on her, needing her for those months in a way my father never did in the whole history of their marriage. He brought to my mother the first and, I suspect, the only pure happiness she ever felt. I don’t think even my birth made her as happy. I was evidence of her marriage to my father, an assumed consequence of the life she had been raised to lead. But Pranab Kaku was different. He was the one totally unanticipated pleasure in her life.
The Chastity Tree: Martin y Soler's L'arbore di Diana - Nikki Einfeld (Diana), Christine Brandes (Cupid), and the Sarah Berges Dance Company (the Chastity Tree), in West Edge Opera's *The Chastity Tree*. What ...
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